Are Angels Real?

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The spiritual beings known as angels have been widely documented in the Torah, the New Testament Gospel and the Holy Quran. Heavenly beings have also littered the spiritual tales of Native Americans, Hindus, and Buddhists. So, are they real?

DO ANGELS AND DEMONS REALLY EXIST? That’s the focus of the latest fiction ebook from The Solari Publishing Group entitled “The Angel of Grace“. It’s a wildly entertaining story about a guardian angel who enlists her biggest fan to escape the clutches of a shape-shifting demon. It’s a story within a story, expertly told by up-and-coming author Frederick S. Blackmon.

The main character, Darren, loves to read fiction books about angels and demons, but never expected that his favorite character was a real life angel. When she begins appearing to him in dreams and visions his first reaction is that he’s going insane. Yet, with the help of a gypsy fortune teller, his surly British neighbor and a teenage computer whiz, Darren sets off on a quest to find the real Angel of Grace.

  • Jay Prew

Literary Quote of the Week

“Your past is a skeleton walking one step behind you, and your future is a a skeleton walking one step in front of you. Maybe you don’t wear a watch, but your skeletons do, and they always know what time it is.” ― Sherman Alexie (Lone Ranger and Tonto Fistfight in Heaven) 

Fist Fight in Heaven – Review

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With the severity of the Native American plight, escapism is a very realistic and practical defense against misery. This is quite evident in Sherman Alexie’s The Lone Ranger and Tonto Fist Fight in Heaven. In this novel, Alexie captures an elaborate depiction of reservation life. The characters are terminally suspended in the abyss commonly known as the Spokane Indian Reservation. As Alexie catalogs their hardships, the characters of the novel indulge in the comforts of alcoholism and unbridled imagination. Through alcoholism, the character Thomas Builds-The-Fire uses the depths of his own creative mind to hide himself in the past.

There is a commonality among the reservation Indians in the novel that centers on alcoholism. The men and women of the Spokane Indian Reservation see their world largely through a thick, alcoholic haze. Drinking is a powerful defense against the stark reality that nothing ever changes on the reservation. In this state of shared depression, this familiar stupor, the reservation Indians cloak themselves in sorrow. If the characters were unable to mend their hardships in reality, through alcohol they most certainly could bend their perceptions of truth. There are several instances throughout the novel in which Alexie describes alcoholic experiences as a positive means of escape. For example, in All I Wanted To Do Was Dance, Victor looks over to his drunken parents and “Everything was familiar and welcome. Everything was beautiful” (87). The warmth of the alcoholic embrace was apparently comforting to Victor, and he goes on to say that his father would “sit with a cooler of beer beside him…his bad breath and body odor covering me like a blanket.”(26). In Every Little Hurricane, Victor depicts his father drinking in a dream; Victor describes the alcohol as “near poison” and a “reservation tsunami”, using very negative connotations. Yet, Victor also portrays his Father as being bold while drunk, with statements like “[He] wasn’t shaped like a question mark…more like an exclamation point” (6). Victor reflects in hindsight that “He thought one more beer could save the world.”(88). So, throughout the novel, Sherman Alexie perpetuates this duality of notions toward alcoholism.

Though alcohol brought release, it also leeched away the sweet vitality of the reservation Indians. In the novel, drinking only serves to ruin relationships, twist lives and magnify their difficulties. Sherman Alexie brings this reality into full view by coupling this theme with every drunken interlude. For example, “I…wished I was drunk enough to pull the trigger” (43). “I got drunk…so I wouldn’t be scared.”(112) and “With every glass of beer…he began to understand too much about fear and failure” (134). These passages indicate not only the reality of such a grim comfort but also a continually deteriorating cycle within the Spokane Indian society.

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Author Quote of the Week

“A children’s story that can only be enjoyed by children is not a good children’s story in the slightest.”- C.S. Lewis

Cannon to Right of Them, Cannon to Left of Them

Lord Alfred Tennyson was one of the most celebrated poets of the Victorian Era and one of my favorite poets of all time. He had a tumultuous childhood and adolescence for someone with such a noble pedigree, and his body of work reflects a tormented soul.

His poetry was widely read and at times Tennyson earned over 10,000£ a year. Any contemporary poet would love to earn that much in today’s economy. One of my favorite poems by Tennyson was “The Charge of the Light Brigade”. It was released on October 25th, 1854 and it focuses on the heroic deeds of Lord James Cardigan during the Crimean War. Since then, this poem has held significance for members of the armed forces around the world.

Join me as I revisit this legendary poem:

Half a league, half a league,
Half a league onward,
All in the valley of Death
Rode the six hundred.
“Forward, the Light Brigade!
“Charge for the guns!” he said:
Into the valley of Death
Rode the six hundred.

“Forward, the Light Brigade!”
Was there a man dismay’d?
Not tho’ the soldier knew
Someone had blunder’d:
Theirs not to make reply,
Theirs not to reason why,
Theirs but to do and die:
Into the valley of Death
Rode the six hundred.

Cannon to right of them,
Cannon to left of them,
Cannon in front of them
Volley’d and thunder’d;
Storm’d at with shot and shell,
Boldly they rode and well,
Into the jaws of Death,
Into the mouth of Hell
Rode the six hundred.

Flash’d all their sabres bare,
Flash’d as they turn’d in air,
Sabring the gunners there,
Charging an army, while
All the world wonder’d:
Plunged in the battery-smoke
Right thro’ the line they broke;
Cossack and Russian
Reel’d from the sabre stroke
Shatter’d and sunder’d.
Then they rode back, but not
Not the six hundred.

Cannon to right of them,
Cannon to left of them,
Cannon behind them
Volley’d and thunder’d;
Storm’d at with shot and shell,
While horse and hero fell,
They that had fought so well
Came thro’ the jaws of Death
Back from the mouth of Hell,
All that was left of them,
Left of six hundred.

When can their glory fade?
O the wild charge they made!
All the world wondered.
Honor the charge they made,
Honor the Light Brigade,
Noble six hundred.

The Charge of The Light Brigade
The Charge of The Light Brigade

Ben-hur by Lew Wallace: A Clinic on Writing Historical Fiction

My favorite movie of all time is Ben-Hur, the 1959 Cecil B. Demil epic film starring Charlton Heston. The costumes. The sets. The drama. The chariot race. I couldn’t wait to read the book, the original Ben-Hur that was written by Lew Wallace in 1880. Surely, this would also become my favorite book, right? Well, not so fast.

Ben-Hur was the first Biblical novel, and it was widely successful in its early days. Until Gone With the Wind, this was the highest selling American fiction novel of all time. Ben-Hur was even blessed by the Pope. But was it a great novel?

Ben-Hur, the movie, was an epic motion picture. The book felt even longer and spanned more time than any of the films adapted from the book. The author’s description of setting and character was absolutely unparalleled. Wallace spent pages and pages just establishing scenes, placing the reader completely in the world of a young Judean prince out for revenge. Yet, the novel tended to drag on. It was middle heavy and stilted in places. Truly, the greatness of the work was in its historical backdrop and not in its character or plot development.

Then, there was Jesus. I loved the way that Lew Wallace placed Jesus as a supporting cast member in this story and not as the focal point. Ben-Hur is a Tale of the Christ, but not directly. It’s a book about the effect of Jesus Christ on someone’s life at the time. Judah BenHur encountered Christ once as a prisoner and once again while Jesus was on his way to crucifixion. These encounters were pivotal moments for the book’s main character and allowed the reader to imagine what it would be like to see Jesus through the eyes of a contemporary. Overall, this was a very effective literary element and made this Tale of the Christ stand out as a must-read American classic.

Ben Hur Illustrated Classics 1st Edition